A Renovated Park, the Same Old Filth: Četkar Wants Cameras for Ohrid's Dutch Park
23.06.2026
23.06.2026
22.06.2026
21.06.2026
09.03.2026
27.02.2026
19.02.2026
23.06.2026
22.06.2026
21.06.2026
No news available in this category.
23.04.2026
23.04.2026
12.04.2026
"An elegant home isn't one where everything is new, but one that looks as if it was built over years." With this sentence interior designer Natalia Zubizarreta demolishes the most expensive myth about decorating - that beauty is bought all at once, with a brand-new suite and a catalogue look. Real style, she says, hides in about ten decisions that cost almost nothing.
The first is curtains. Most people hang them at the level of the window frame, but the trick is to raise the rod to the ceiling, with curtains that barely touch the floor - the room instantly looks taller. Washed linen or a linen-cotton blend gives a sophistication synthetics will never have. The second decision is lighting: one of the most common mistakes is light that's too white and cold. She recommends warm tones around 2700K and several sources - floor and table lamps, wall lights, indirect light - instead of one strong light from the ceiling.
The third is rugs. Many choose a rug thinking only of the coffee table, but the rule is that at least the front legs of the sofa and armchairs should sit on it. Counter to intuition, a larger rug makes the space look bigger, while a small one cramps it. The fourth decision: fewer objects, more intent. Three pieces with character beat fifteen small ornaments with no connection between them - when many small elements pile up, they create visual noise.
The fifth is playing with textures. Even with a neutral palette, natural materials like aged wood, linen, raffia, ceramics, natural stone and wool add depth and authenticity, while glossy, artificial surfaces drain the warmth. The sixth: a harmonious colour palette throughout the home. Not everything the same, but three or four colours that "talk" to each other and carry a common thread through the rooms.
The seventh decision seems technical, but it changes everything - hiding the visual noise. Cables, routers, remotes, chargers and cleaning supplies create an impression of clutter even in a tidy home. Simple systems for hiding them - baskets, cable covers, organised drawers - dramatically change the feel of a space.
The eighth is walls. Instead of scattered small frames, one large-format piece has a far greater effect than ten small pictures hung with no criteria. Mirrors, meaningful photographs, framed prints or wallpaper in one spot tell a story about those who live there. The ninth: bring in at least one design or historical object - inherited furniture, a flea-market find, a vintage lamp from a trip. Price matters less than authenticity; those pieces keep a home from looking like a catalogue.
And the tenth decision is the hardest - to accept empty space. Not every corner needs furniture, not every wall needs a picture. Empty spaces let the important elements breathe and carry a sense of calm. "The most elegant interiors have pauses, instead of filling every available centimetre," Zubizarreta says. And there's the whole point: a home isn't built with money thrown all at once, but with patience, choice and the faith that less, well chosen, always looks more expensive than a lot, in a hurry.
The latest 10 news from this category
A new build for a couple with three daughters shows that even a new house can be a home -...
A renovation you do once a decade calls for logic, not flashy details. Ten tips from designers for a kitchen...
Luxury doesn't have to shout. Sometimes the most beautiful home is the one that breathes, not the one that boasts.
Stone walls 80 centimetres thick, zero toxic materials and a passive-house certificate - and from the outside almost nothing has...
Roberto and Pilar Coin found an apartment in San Marco that seemed to be waiting for them. The real luxury...
12,000 square metres, Italian marble, and gold detailing - but the real opulence is in what you can't see. The...
A VIP bar, foosball and dimmed light in a little house inspired by his home island. Luxury is sometimes not...
A blend of Japanese calm and Scandinavian warmth: natural wood, neutral tones, and a few good objects instead of clutter...
A Stanford economist who grows almonds for half the world, and a home full of Kandinsky and Sevillian light. Luxury...
He has the money to buy anything, and chooses restraint. Stone, wood and light don't have to prove anything to...