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There are homes built to impress, and homes built to be lived in. The family home of TV figures Patricia Pardo and Christian Galvez, set in the quiet neighbourhood of Ciudalcampo north of Madrid, is the second kind - a three-storey chalet that speaks quietly, without shouting that it costs around a million euros.
From the outside, the house plays on warm materials - exposed red brick and a black slate roof, with wooden window frames that make a fine contrast. The garden is spacious, with an L-shaped pool and a covered terrace for outdoor gatherings. All of it is rounded off with a workout pavilion and padel courts - a luxury that doesn't boast, but is felt.
Inside, light dominates. The floors are mahogany parquet, the entrances and kitchen porcelain stone, and the glass railings between the floors multiply the space and let the light flow freely. The white of the walls is the base, broken here and there by vivid textiles that keep everything from looking too sterile.
The living room is the heart of the ground floor - a mahogany floor, a fireplace built into the wall and large windows that connect the interior to the garden. The kitchen, meanwhile, is the true centre of the home: with a built-in central island that serves both as a worktop and as a gathering place, and with integrated appliances that maintain the visual order.
Perhaps the gentlest detail is in the children's rooms. There, the wallpaper is inspired by "The Little Prince", and throughout the home books are used as decoration, not just as content. The choice is no accident - literature here is an active decorative strategy, a way to encourage creativity and concentration in the children.
At the entrance, blue hydrangeas - a choice that reflects Patricia Pardo's Galician roots. Throughout the house, plants and flowers bring in life and extend the connection with nature. The whole philosophy of the home comes down to one thing: discreet luxury, comfort that serves, and a connection with nature - principles the Balkan tradition of the house-with-a-garden has long known, even without naming them.
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