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The Home of Two Gallerists Near Madrid: a House Full of Art, and They Talk About the Garden

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The Home of Two Gallerists Near Madrid: a House Full of Art, and They Talk About the Garden

Some homes are decorated, and some are composed like an exhibition. The house of Maria Porto and David Bardia, on the outskirts of Madrid with a view of El Escorial, belongs to the second kind - every piece in it is chosen by the same logic used to hang an art show: seeking coherence, dialogue and emotion. And that is no accident, because both are gallerists.

Maria Porto is among the hundred leading women in Spain and one of the youngest directors at the historic Marlborough gallery. "I started at the bottom, at reception, but that is exactly where I truly learned the profession," she says. After twelve years there, she took a risk and struck out on her own, and today she runs a gallery in Madrid together with David, with a clear mission - to bring art closer to the ordinary person. "My real obsession was to democratise art," Porto says.

Maria Porto in her home

The house was built by David even before he met Maria - a personal dream and challenge, as he puts it. When she arrived, the decor became a natural extension of their work. The palette is neutral, with warm textures that create a calm atmosphere; an interior staircase that doubles as an exhibition wall, a bedroom with a chaise longue upholstered in a floral pattern, a Venetian bathtub lit by a chandelier of Bohemian crystal.

The walls tell a story of taste. In the dining room, a colourful landscape by Abraham Lacalle dominates; above the fireplace hangs a work by Lucio Munoz from the sixties. Throughout the house line up names like Manolo Valdes, Luis Gordillo, Blanca Munoz, Martin Chirino. Even the wine cellar was designed by Norman Foster - steel bottle racks that look more like sculpture than furniture.

Maria Porto among the artworks in her home

The couple's story is as intertwined as their home. They met after the pandemic, through a mutual friend - Maria was looking for a Miro work for someone, and David had it. "We started very slowly, naturally, almost without realising it, until we understood there was more than just business," she recounts. He is more analytical and methodical, she has an exceptional instinct for discovering artists. "We balance each other," says David.

Maria has a son, Diego, whom she raised alone. "I couldn't be prouder of him. Raising a child alone, taking on all the responsibility, is not easy - there were sacrifices and gaps, but Diego is a person with a capital P," she says. Running through the whole story is a thought we rarely hear from people surrounded by precious art - that their real luxury is something entirely ordinary: "simplicity - cooking, reading, time for conversations without rushing."

And perhaps that is exactly the lesson of this home. A house full of works worth a fortune, and the owners talk most about the garden, about outdoor meals with friends and about driving classic cars. Art here is not for showing off - it is a way of living. "This home is a blend of two ways of understanding art, love and life," says David. Rarely does decor say so much about the people who live inside.